opening my window more
this season as we come
through
i see again the light in
yours i always mistake for the
moon
opening my window more
this season as we come
through
i see again the light in
yours i always mistake for the
moon
for mollie…
(field notes on a journey of integration)
yes i have abused.
looking
for something to in gest that doesn’t just
kill the pain
but replaces it
with MANIA! infatuated frenzy being loudly laughing
high bursting with every emotion at once and selling
the empty drum to the lowest bidder
combing the flea market
inside
a poem
my body
some memories
a friend
day two i’d be a new person
victim
of the old and it always took some reorganizing but
at length i could identify with both
without ever really meeting either
discolored pain rusting suspension beams teetering
over the commerce center below the climate change
separated by logistic leaps and defiant dungeons
circling hamsters on a weight loss wheel
as it became
less and less
necessary to pretend
we couldn’t
see the bridge
Landing Soundly
letting slip through open-palmed
treefingers d’habitude
the usual planning, pre-trial tainting
rigging
of hidden machinations keeping
the artist
hungry, disoriented,
lost & bound, gagged
& stuffed with the endless down
of barely scraping by under radar:
(moan with me now: Low)
Muses
centuries of wildfire and we been bargaining
for flint
Muses
endings dropped like cosmic debris
and we been spanging oil junkies just
to begin
Muses
the hand of the easy one to see
reaches out from all everyone
already knows
of it
to land soundly
silent
where ashes dance beneath
what & who & how
one has not been yet
(moan with me now)
Muses
(sound landing.)
after a dearth of posting, this healing poem raised its head from the piles of letters from the past, looked me in the eyes, and said “yes, please.”
circling….
“fake it til you make it”
i’ve been pretending for so long,
so long, so long that i am good with sex
that my sex u al it y is totally fine and complete and i am ready for whatever
does or does not
come along but
this is a dirty lie shamed together with the sticky notes of a pop song
this culture sings in order to avoid the subjects of vulnerability fear
excitement thirst and mortality and yes
i am a part of the culture
so i sing the blues loud and clear instead of asking you
if you feel this intense pull that i keep on feeling
for you.
to tell you the truth i want to just look at your face while you draw
if that’s okay. maybe we can draw each other until
silence opens us up.
i don’t know what sexuality ever
did to this culture to warrant such fearful crazed bravado all the time, but it
must have been enough to fill centuries with the maniacal clawing
of shame-demons lynching witches by the thousands
and lying through the lines of king’s bibles and peddling peanuts to the traffic
so now it seems when i’m trying to come clean
i find angry ghosts swarming the temples and i must first attend
their services before nightfall even this late in the day
because “fake it til you make it” does not apply to sex.
must be
terrible
to act like you’re okay all the time
and know really know silently and surely and shadowy that you’re faking it.
yes, this is a new day. the moon is in cancer, rightly so, waning away both to and from an open heart.
so this is what it feels like to actually be just fine… there is a place that does not want to forget how hard how hard how impossibly hard it was when things looked like hatred and victimhood all around… when i needed to see life from inside of something that was killing me. what is going on then.. when we need to see life from inside of something that is killing us? that line, that line… when we need to see life from inside of something that is killing us…
the body, it is not only killing us but giving us life
and truly, probably, likely, it is doing neither
there is just this presence, like the stone, like the fire
which has reality from the perspective of what lives
hunter/gatherer
by the script, one can often tell whether or not (and to what degree) the writer was intoxicated with the subject of written examination.
according to my pages of late, i’ve been simply stone-tanked on doubt, self-deprecation, and defeat. (Editorial Pipe-up: people like defeat! they do! rooting for underdogs and all…) right. so. as they say at the ole landmark, if it’s working for ya, keep it up!
trouble is, my version of “working for ya” has me sniveling like a wet weasel around “real” artists and dollar bills.. it has me creeping from a quiet vantage point down the block from my passions, mowing the lawn twice a day just to keep an eye out… it has me inwardly folding and silently caterwauling from some far-cobwebbed opera beam.. it has me heading to the welfare office for more assistance every day i put my own legs through the saw mill and stumble a righteous walk of shame toward a handout i hate and don’t need… (Ed. Note: yo, i don’t actually feel this way about gov’t assistance programs. obv.)
help comes wearing sunglasses and a bullshit-free kind of kindness drops a name and number (sees me in my squat and waves and moves on) without the heroics of pity (nor of euphoria)
and i’m back at the window again, spying dutifully on my own life, noting carefully (with a pharmaceutical blend of ardor and disgust) that i am bound–BOUND!–to entrance exotic gatherers, to enchant hunters of passion and purpose, then Venus-fly-trap the lot of ’em, if i insist on ignoring the exigence of my heart’s desire.
get up and move, bird of paradise! you are not poorly-named flower (fuck!) but aptly-named winged thing, and you got some kinda mating dance to do here, so make for the clouds.
what are you making?
excuses, mostly. genius at it, i am. roadblocks pop up no one ever saw coming. (least of all me.) creating my own hell, of course, one foolish choice at a time. costumed to the nines, i can call in the suitors of epic love, minstrels of infatuation, fishers of fancy. i can sell myself like the treasure of a jade empress, loyal friend of puppeteers upon any bar, curb, or slat of open air. but to actually share honest longings of this heart? really? fuck.
it’s all bravado.
my bravado could fuck yer brains out, should we allow it to come to that.
let’s please not let it come to that.
pigeons like bats, hell.
sky is bigger than my narrow, chromeless perception.
every molecule: rainbow.
sitting under the only spot of rain for miles, don’t care a lick that it’s fake.
Tales of the Gnarled and Impossible: a romance novel.
this here’s my life. been so long a gatherer i’ve forgotten how to hunt. and it’s come to this: a box of mac-n-cheeze over the living tremors of facing the wild, unadorned and alone.
by the script, one can often tell whether or not (and to what degree) the writer was intoxicated with the subject of written examination.
(a note from the Hunter: best to sober up before using your spear.)
this is how
too much feels
some soft carousel’s too-sweet sounds
tracking a madness
dripping with heavy
sinister mistaken trust betrayed laying
everything down
upon reflection
here
the useless game
spins nothing into better into gone
and there art violins its way
past gone past bedtime past winter
into
twilight’s call
to let us know
it’s running late again
and we’ve no leg to stand on so
crying can’t come with nausea
in its place and i
have no name left
any way
take me
back please can i
take it from the top and listen
more than enough this time never
take on too much above all
give
above all give all beings
space to allow
meaning to be
let
go
and the tower
recalling all those
hands up
winds its cylinders
combs its lamellae
they pray to Calliope
they dance to crumbling
no war for fire come down let
go
i am black widow
waiting in this funnel
of my own strings
this softest thing i’ve ever
known made
from the air between
my legs and the memory
of how my hourglass
turned bright red
and they say i eat
my lovers and
never feel lonely
but listen for that which keeps
us steady on tightrope toes
for there is the tap-tap-tap
of colors in their truest form
asking us to build
them a home
with or without
another soul ever
getting it ever
sleeping beneath its canopy
ever dining upon
its cushion and i
have eyes enough
to hear nature’s exigence
through every last movement
of leaf of wind and of limb
so do not ask if i am
lonely for my answer
you’d never see
but hold yourself steady
make gravity your friend
and dream dream-dream-dream
through every night’s end
what (the fuck) is the big obsession with virgins?
honestly, i have this ringing in my ears from the 80s to the bible
from the willow weeping watching the young one choose the cottonwood
and sure, let’s broaden this one out this time this way we can try
to include all genders (or at least both) instead of just the one
with lewd eyes staring down the minnie mouse top waiting for it to sprout
because lawd knows when i said “virgins” y’all thought i meant girls
(we’ll get back to that)
back to where we are here, let’s see a show of hands:
how many of you remember the first time you had sex? good.
how many of you remember the last time you had sex? okay.
keep you hand up if the last time you had sex was the first time. yeah.
if your hand is not still up, the sex you had was all for show. no problem,
no judgment, i’ve certainly done it and done it, but it’s worse than blueballs
the act of sex that is anything but completely present to the mystery of
this moment right here that we’re sharing (see, let me know if it’s too much
because i receive from your being here willingly with me and this intimate
connection of my heart to this voice to this machine to the shared air waves to
your exquisite earshells to your open hearts the message that there is indeed
ample consent present for us to make love right here and now. so this is what
is happening. like this. let me know if it’s working for you and when it’s not,
i am totally willing to respect and respond, that’s part of why and how i’m here)
so. i mean it. if your hand came down because your last time was not your first
then you had some tired old sex for the sake of something you’ve been hiding
behind for fear of what you might lose if you came out. if your last time was not
your first time then you have whitewashed your fantasies and written crude
roman letters of instruction-manual requirements in place of your own sacred tongue
touching the word touching the Word of Creation which is, indeed, Beloved, how one can have a Virgin Birth
and i am
a born-again
virgin
every time we touch i touch you touch me we are whole unto ourselves, maiden, mother, crone, pan-sexual poly-amorous para-normal
burning
not unlike generations of Witches, bloodlines of hearts on fire knowing fire does not kill what is already
burning
and i am
as you must be
if we are to come
together:
brand new, never been here before, never been this person before nor seen nor known you never made up my mind about who you are nor what will happen next nor what this means nor will i nor do i lay claim to you nor your heart nor your actions nor your voice nor this gift we share nor this mystery of life nor to anything but my choice
and my choice
now
is to come
so exquisitely unbound
that we are
born again
naked
to ourselves
to our bones
to our souls
and to the world in which we lay our heads our thoughts of what is what and black and white and bullshit advertising toys of girls-vs-boys and cagey ploys of mickey mouse gendered crap of this and that and who the fuck we think we are to call one thing normal and another thing mad and the fads of masking constant sorrow with the cartoon certainty that faking power can make, with everything we think we know wrapped in wires round the stakes of every claim laid in flags waving to patria! to the dollar! to the bomb! barely scratching the surface of skin and earth and moon, to this all we give
now:
our next breath
of fire
of freedom
of power-to
burn
theatre therapy:
no one pretends
in New Orleans except in theatre
in the blues
in parades and cabarets and every corner
of the block
of wood
carving history
into our bones
imagining faces
into every circus curve of form
(the river she come down)
from sediment to head waters
one day they’ll find us
intertwined
between form and function
dot and line
in wire skeletons flanked with
clay
red
cedar
wood
cutting
River
who is
my home
and how
sometimes currents flow
South to North
and no use leashing it
if you’re just gonna pull
use your bloodhound blood
build your swimming skills
keep your feet wet
and let the North wind blow
breathe it in let it touch your navel cold where you’re still
afraid to let it flesh you out and see your glow let it
draw you down and let you
float let it open eyes let it tend your fires let it
warm your throat let it
move your heart
and send your art sailing South blessed within
bottles uncorked to delight the Beloved
hands of breaking
open hearts
of our tribe of stars let us
make and paint and celebrate disintegrating
patterns beneath the skin
of Inspiration’s
integration:
Medicine of Molière, live like your heart’s been given flame
and love past masks, love inside mirrors, love through the generous
costumes and colors of every stage
and, giving constant freedom to your mindspace, my friend, my adversary, my lover:
save the drama for the stage!
postscript for the headwaters:
oh Northern freeze, all our phenomenal drama is spent on the day-to-day!
let go of all things personal, aim your cannons for the stage!
throw down your arms, frozen shoulders and all, cry
a bird call for all things silenced and a roar
for all the gooseskin of violence
and open up your chest plates, oh tin men! give us
a better way to measure life than time
a nicer seat for pleasure and desire
and above all save your wolves from logic’s demise
put your ear to the river, shepherd
round your drama down
with the water down
from the mountain down
warm the earthbones down
to the holy treepulp page!
oh River:
here we live, here we change, here we save
in gravity’s name, our drama for the stage!
something in the comfort here gives a frenzying pace
which seems to require an array of insatiable uppers
just to maintain
decadence
a chime upon the wind
spiral of molasses thick round your
sound
catcher
dream
maker
gâteau
avec les goûtes des autres langues
in your mouth
song
dans le vent
peut-être je préfère goûter
le mot
more than the sugar
the word
plus que la sucre
(please don’t mistake the frenzy for the fire)
peut-être je préfère goûter
le mot more than the sugar
the word plus que la sucre
la bouche plus que la mouche
la bouche plus que la mouche
…in the charnel ground
unlocked for me in this was again and anew the loss of love i wish i had already roared my way out of, and raw as my throat has found me, it still has come floating back up to the surface, body all decayed off itself and wood so tossed about by salt water as to be made bone smooth, pisces of vices pulled two directions at once as easily as legs are pulled from shellfish yet held tight sticking prickly in the middle some barbed wireform skelton holding fast to its structure washing up with the rest, yes, this is what sinks it out of sight as well as what lifts it again and again with the livid waves, uncertain where center is but moving swiftly from it just the same, there: there is my sorrow, there is my desperate sadness, there is my busted-up wormholed skin of wrongedness and there, there is the ghost of my hunger with its eye sockets echoing music i’d missed since the first time and all this time i’ve been right here. and a question comes, innocently brave, naively morbid, wisely rooted in sane mortality, asking: can i… be with… this corpse… in love… giving love… making love… in the charnel ground?
let us not pretend to be somewhere, someone we’re not.